Showing posts with label contest. Show all posts
Showing posts with label contest. Show all posts

Wednesday, 2 August 2017

I entered Pitch Wars!

Of course I did.

#PitchWars has been extra helpful this year with the addition of a ProBoards forum. I found this helpful for improving my query, not so much by the posting and critting of it, but by seeing what everyone else was posting.

I was able to see lots of people making lots of mistakes. For some reason, the more queries I saw, the easier it was to see the mistakes.

When I went back to my own query, I was able to see the mistakes I'd been making. Oops. Once corrected, I feel I got a much stronger query.

Think this is enough to win over a mentor?


 Adrastea, a simple country healer, is surprised to receive a marriage proposal from the Dark God Mor-Lath. As a devotee of a rival god, of course she turns him down. She was raised on chilling tales of this chthonic being who drags the souls of the unrepentant to the underworld. Adrastea loves her simple country life of brewing medicines and saving lives. Marriage to Mor-Lath would greatly complicate things. Besides, why would the Dark God propose to her?

Undaunted by her refusal, Mor-Lath insists on courting her. Sometimes he is charming, winning over the other villagers. Other times, he is ruthless in his actions, refusing to let anyone stand in his way of his pursuit of Adrastesa.

She sees him the dark god he truly is. While he makes it clear he’ll only have her willingly, he’s making it very difficult for her to say no.

Adrastea faces a quandary: her continued refusals puts not only her village under threat of destruction, but possibly the entire land. If she accepts the Dark God's marriage proposal, her soul will never ascend to the Light. Mor-Lath's plaintive desperation hints that even more might be at stake. But what? What is he really after?

Either way, the price is too high. 

OF THE DARK is a 125,000-word Fantasy novel, loosely based on several Greek myths (especially the Adrasteia and Jupiter stories) and is the first of a completed trilogy. 

I'm an Australian author of moderate repute. I've had dozens of short stories and non-fiction articles published and have had several novellas published with The Wild Rose Press. I've been a member of the Online Writing Workshop since its inception. I'm a member of Romance Writers of Australia. By day I work part-time in IT Support. By night I'm an astronomer and citizen scientist, because that's when the stars are out.

Thank you for your time and consideration.

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And here's my first five hundred words.


Adrastea descended into the dark. As her feet touched the cellar's stone floor, the scent of brandy enveloped her. It was stronger here, redolent of peaches and hot summer days and possibly forbidden kisses. Something had broken. Oh dear.

Up in the stillroom Ari Healer peered into the cellar, her anxiety palpable. Her skinny hands gripped the top of the ladder and she sniffled. "Was it my barrel? Please tell me it wasn't my barrel."

"I don't know." Something shimmered at the edge of Adrastea's vision. The auras? She pushed away Ari's worry and squinted into the darkness. Was it a bottle of new brandy that broke, or the barrel of old brandy? Please, not the new brandy. Adrastea had worked so hard distilling enough. Her heart ached at the thought of losing even one drop.

But if it had been Ari's barrel, the one that had sat in this cellar for twenty-five years, its precious contents aging to perfection, that would be a greater loss.

Adrastea drew a breath and coughed. The alcohol stung her lungs too much to tell which one had spilled.

A warm light wavered above the cellar door. "Here. Take the lantern."

"No. Too risky." It would do Adrastea no good if the flame of the lamp ignited the brandy fumes.

Ari's voice shuddered. "It is my barrel, isn't it?"

Again, something shimmered out of the corner of her eye, flaring then fading. Now that was interesting. "Could be the barrel."

Ari let out a whimper.

There! The glimmer brightened at the far end of the cellar. How fascinating. Ari's grief sent pulses along the threads that connected her aura to the barrel. That was new. Even without daylight, Adrastea knew exactly where the barrel was.

Mira Priestess once told her everything in Creation was bound by the Lines of Deeper Power. Everything and everyone was connected, whether they knew it or not. Her mother described them as the warp and weft of the world, present, even if most of the time they could not be seen. Adrastea had never given it much thought until now. They'd just been... there.

They reminded her of shafts of sunlight through a window, when motes of dust sparkled in the beams. As a child, Adrastea had always tried to catch those motes. They always evaded her grasp. She had always presumed these Lines were the same.

Out in the daylight, she could barely tell auras were there, just gossamer webs out of the corner of her eye. Down here in the cellar, they came to her much stronger.

Adrastea relaxed and focused inward, drawing a deep breath. Lines from dried herbs and potions she'd prepared lit up and connected to her. She'd made all this. It belonged to her and brought her deep satisfaction. How comforting to know that something she created with her own two hands did some good in the world.

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I'm especially proud of this opening, as it passes the Bechdel Test.

So here I sit and forget about #PitchWars until 25 August, when mentees will be announced.

If I get in, YAY! 


If not, I have a Plan B. Sooner or later, this book will be published.


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Her Grace hopes her first chapter is voicy enough. That's what mentors are looking for.

Thursday, 29 June 2017

This week's Twitter Pitch Party: #SFFpit

I recently participated in #SFFpit, which is probably one of my favouritest of the TPPs (Twitter Pitch Parties). 

I like it for its simplicity, it's genre specificity, and the fact that there's no limit as to how many pitches an agent/publisher can like. Sure, the next step is to query as one normally would, but it's not a cold query. You're querying an agent who already thinks your Twitter pitch sounds like something they'd be interested in. Also, my odds of making progress seem to be better than the other TPPs or contests I've been subbing to.

During this latest #SFFpit I had an epiphany, possibly because I allowed myself some sleep. (PSA: sleep is one of the greatest tools for triggering the creative mind. Give it a try the next time you're stuck/blocked.)



Then I had another one, and then yet another one.

Epiphany #1: My old query letter was dull, but now I know how to make it better.  

I'd been trying for years to get my query letter for this particular project to work, with little success. When a few agents liked my #SFFpit pitches, I squee'd for a while, then, like any wise professional author, put the news aside and let things process. IOW, I had a weekend off work. Then, when I was doing something else, I thought back to the last project I sold. How did I pitch that, and why did it succeed? 

I realised what I had done right with that query letter, why it had worked, and realised how to apply those points to my new query letter. So I redrafted once more, and sent those off to the kind agents who wanted to see more of my work.

Will it work? Stay tuned.

Epiphany #2: My voice in my project could be tweaked a little more.  Let's wait and see what these agents say before I go tweaking 125K words.

Epiphany #3: Nobody cares how bad your book is if you've got VOICE.



I've been participating in these TPPs for a few years now, and something's been nagging at my spidey senses. I keep seeing people get into these contests that offer mentorships or other structured feedback. Often I'll follow along long after I failed to get in to see what it was people saw in these hopeful works. 

All too often I'd read blogs from both sides talking about how much work a book needed to bring it up to scratch before it was ready to go before an agent. They talk about how they needed to do global revisions on a plot, how the characters needed lots of work to round them out, and all sorts of stuff. They practically make it sound like these books, which they thought were far superior to the others in the contest, were nowhere near ready.

And I'm wondering, if these books needed so much work, why on earth did you think they were "ready" to be chosen? 

And I realised. They chose them because they had voice.  And that was it.

I'm wondering if that's entirely fair.

What I would like to see is a TPP where hopefuls can offer their submissions and the worst pitches are chosen through several rounds of traige, and the authors offered the help they so desperately need to lift their craft.  (No, I'm not going to run it because I don't have the time, the Name, or the connexions to make it successful.)

Epiphany #4:  My current publishing path is currently the correct one for my needs now.

As well as agents, a few small presses also liked my pitches. While I'm primarily looking for an agent at the moment, I thought it worth due diligence to research these small presses. Learned a lot.

TL;DR: there was nothing any of these pitched small presses could offer me that I couldn't do with indie publishing, except move the cost of production from my pocket to theirs.  

For some, that might be worth it. But as I've gone hybrid, I've seen both sides, and unless these small presses are able to give me the marketing support my current Romance small press offers me (and most of them didn't look like it), I'm not seeing much value in shifting production costs to them, for what I'm getting in return.

~*~

I'd  L O V E  for an agent to pick up this particular project. It's been near and dear to my heart and I want to see it get the best chance out in the world. Right now, I feel an agent would give it that best chance. If no one wants it, then I may consider self-publishing, for I (and my beta readers) do believe this is worth releasing on the world.

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Her Grace does learn much from these TPPs, even if she never gets selected.


Thursday, 8 June 2017

A Clarification of Definitions

So I'm throwing my hat into a three-ring circus this month with all the pitch contests.  One consistent quality is that each entrant has to define their genre.  Always useful.

I'm pitching a Fantasy Romance, but not every contest has #FR as a category. Do I cringe and stick a #PR tag on it, or do I be true to the novel and double-tag it with #F and #R?  I've been doing the latter, because Of The Dark, despite it's magic, is definitely NOT a Paranormal Romance.

There is a difference between Paranormal Romance and Fantasy Romance.

  • Paranormal Romance is a real world with a layer of magic over it. 
  • Fantasy Romance is a fantasy world (sometimes a second world, alternate reality or otherworld) with magic in it.


If you take all the magical stuff out of your world, and left everything else behind, how would your Romance be categorised?  If you remove the vampires and the shifters et al., you'd be left with a contemporary Romance. Take magic out of a Fantasy Romance, you've still got a Fantasy Romance.

I can't call an otherworld Fantasy Romance a "Paranormal", because there's no "normal" to para.

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Her Grace finds these contests fun, but doesn't eschew the Original Contest of sending a query to an agent the old-fashioned way.

Wednesday, 7 June 2017

Today's Contest: #pg70pit

Yep, it's June, when the first half of the summer* contests take place. (The second half happens in August. Nothing happens in July, because nobody can be bothered.)

Today it's the Page 70 Pitch contest.  Take page 70 of your completed, polished ms, and see if it's got any voice. Tweet a seven-word desc of your MC and hope it has voice.

Hope the bonheure of the universe favours your entry being selected, and the lucky winners get their entries perused by agents who may make requests.

So my hat is in the ring, along with a secret code name I cannot reveal and the book I hope to reveal to the whole world.

Now that I've submitted my entry and tweeted my tweet, I am having serious doubts about my voice.

I will not give in to my whiny muse. I will finish my WIP before I attempt to fix OTD's voice. In fact, I might write another book, then have a look at OTD's voice.


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*Summer... when Her Grace say "summer", she really means Cancerian summer, as experienced by the Northern Hemisphere (June, July, August).  For Her Grace, who lives Down Under, Capricornian summer (Birak and Bunuru) happens in December, January, February.

So yeah. Right now it's cold and miserable in her part of Australia. And dark.

Thursday, 5 May 2016

A to Z Challenge - recap

So here I am at Stupid O'Clock with a bit of time for quietude and reflection. I made it to the end of another A to Z Challenge. This year was a lot easier (and nicer) than last year. There's a good chance I'll do it again next year.

Things I learned:

  • Short and sweet is perfectly acceptable.
  • Writing to a theme is a good idea.
  • Scheduling posts is your friend.
  • I am not an everyday blogger.
  • Blogreaders really like lists.
It was good to be able to visit other fascinating blogs. Some of the blogs I visited and really enjoyed:

You might not hear from me for the next month. May is Birthday Month and I've got a lot of birthdays to cater for. Also, the Rockingham Book Fair is coming up this weekend (I'll be there. Come visit!), Eurovision is the week after and I've got a major project due on the Environment and Climate of Mars and its Potential Habitability (astrobiology).  Much going on.

Meanwhile, it's also the Book Birthday for Her Endearing Young Charms. To celebrate, I'm having a giveaway on Goodreads. May 11-20. Please enter.

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Her Grace thanks you for reading this month.

Monday, 7 December 2015

Someone gave me Chicken Poop!

So what arrives in Australia Post today?

Why, a lovely tube of Chicken Poop lip balm, courtesy of Regency Romance author Carolyn Jewel.

I'm a sucker for lip balm and I'm rather fond of chickens. Fortunately, Chicken Poop lip balm doesn't actually contain any chicken poop. Instead, it's got a beautiful lavender scent.

I won it in a contest on The Risky Regencies blog, which also included a copy of their summer anthology Dancing in the Duke's Arms, which I've devoured and must post reviews on Goodreads soon. I'm a sucker for Regency Romance and I'm a sucker for dukes (having married one).

Thank you, Carolyn, for the fabulous prizes and the addiction to more authors who've been added to my TBR pile.

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Her Grace has happily scented lips. Who knew Chicken Poop could smell so nice?