I didn't get into PitchWars, and that's okay, because I've been working on a new book.
So I've been slogging along, getting some serious wordage done, when I noticed I'd finished the novel... way too soon. Instead of approaching 80K, I'd clocked in at 60-something.
How on earth did my plot calculation end up fifteen thousand-ish words shy of my target goal?
His Grace, not being a fiction author, wasn't terribly sympathetic. "Why can't you stop there?"
Because the frickin' novel needs to be 80K! Reasons.
So, how does one come up with an extra 10-15K when the plot as-is is tight, with no wiggle room?
A subplot usually does the trick, except I wasn't sure how to fit in a(nother) subplot. I've got three already. The timeline of the novel doesn't have much room for such things, as the whole book takes place over the course of a single evening. There's only so much that can go on at a party.
"Throw in a Chainsaw Massacre," suggests His Grace.
I have a look at my RegRom w/ Magic and say, "Why not?"
__________________________________
Her Grace's plot issue may be solved. Will it be at least 10K? Ask her later.
Showing posts with label novels. Show all posts
Showing posts with label novels. Show all posts
Saturday, 26 August 2017
Saturday, 4 July 2015
Wherein I write a guest post
I've got a guest post up at Tara Maya's blog BestFantasyNovel.com wherein I speak about why I love escapist fiction so much. (Spoilers: I used it to escape from the miseries of real life.)
Shameless plug: Tara Maya writes the kind of fiction (Fantasy Romance... or is that Romantic Fantasy) I love. I'm totally digging her series The Unfinished Song.
Meanwhile, go read about
Shameless plug: Tara Maya writes the kind of fiction (Fantasy Romance... or is that Romantic Fantasy) I love. I'm totally digging her series The Unfinished Song.
Meanwhile, go read about
The Escapist Nature of Fantasy Romance
Let me know if you have experienced the same desire to escape reality.
_______________________________
Her Grace believes everyone needs an Out.
Wednesday, 15 April 2015
A to Z Challenge: M2 - Marketing
Today is one of several M posts because there are many M things I'd like to talk about, and I couldn't choose just one.
One of the necessary evils of being a professional author is the Marketing. Writing the book is the easy part. Getting enough people to know about it enough for them to want to buy it is another.
I thought about writing about how difficult I find marketing, or about various techniques I've employed, or a Top Ten of marketing blogs, how Word-of-Mouth is the best marketing technique around or even just a Link Soup to other people's marketing opinions, but I thought, no. I might as well use this blog entry to share what it is I'm trying to market. that would be the most effective use of a blog entitled "Marketing".
Go buy my books. Isn't that what marketing is all about? It helps that I've written some pretty good stories (my editor and publisher agree. So do other readers). If you enjoy Romance and escapist fiction, check them out. Even if you don't buy my books, feel free to Tell Someone About Them.
I love Escapist fiction. Reality gets me down more often than not, and a good book rescues me from the Black Doghouse. Because of this, I prefer Romance (escapist fiction with a happy ending), Science Fiction and Fantasy.
My novels reflect that.
I have two novellas out currently, with a third due for release in February. Before then, I am working on an indie novella I hope to have released before the end of the year.
Would you like to ask me any questions?
Bel MacEuros made a career of theft from fey creatures. When the cursed gold he rightfully stole from a gnome is taken from him by Daywen, the consequences could bless or break his life.
It is not the gnome's curse or a gypsy's blessing but another magic, far deeper and more powerful, that will change their lives forever.
This was first published in a collection called The Enchanted Faerie. Later, our publishers The Wild Rose Press decided to release it as a standalone novella.
What I love about this is how Our Heroine Daywen does whatever it takes to find true love, even solicit magic. However, it's not so much the magic that does the work as Daywen herself. The little enchanted faerie she buys from a gypsy woman merely lets her know she's on the right track. Everything else that leads her to discover her love is purely of her own motivation. I like heroines that go after what they want.
Buy Links:
TWRP : Barnes&Noble : Kobo : Google Play : AllRomance : Amazon
One of the necessary evils of being a professional author is the Marketing. Writing the book is the easy part. Getting enough people to know about it enough for them to want to buy it is another.
I thought about writing about how difficult I find marketing, or about various techniques I've employed, or a Top Ten of marketing blogs, how Word-of-Mouth is the best marketing technique around or even just a Link Soup to other people's marketing opinions, but I thought, no. I might as well use this blog entry to share what it is I'm trying to market. that would be the most effective use of a blog entitled "Marketing".
Go buy my books. Isn't that what marketing is all about? It helps that I've written some pretty good stories (my editor and publisher agree. So do other readers). If you enjoy Romance and escapist fiction, check them out. Even if you don't buy my books, feel free to Tell Someone About Them.
About the Author
I'm a novelist. I write books, full-length and novellas. I've written a good double-handful of them. Now I'm in the process of polishing the better ones for publication.I love Escapist fiction. Reality gets me down more often than not, and a good book rescues me from the Black Doghouse. Because of this, I prefer Romance (escapist fiction with a happy ending), Science Fiction and Fantasy.
My novels reflect that.
I have two novellas out currently, with a third due for release in February. Before then, I am working on an indie novella I hope to have released before the end of the year.
Would you like to ask me any questions?
Her Grace's Current Releases
As Good As Gold
Daywen Athalia wants love--true and lasting. Fearing a future of bitter loneliness, she seeks help from a gypsy woman. The price: a hundred pieces of gold. Daywen's never had two shillings to rub together in her life. Where's she going to find a hundred gold pieces?Bel MacEuros made a career of theft from fey creatures. When the cursed gold he rightfully stole from a gnome is taken from him by Daywen, the consequences could bless or break his life.
It is not the gnome's curse or a gypsy's blessing but another magic, far deeper and more powerful, that will change their lives forever.
This was first published in a collection called The Enchanted Faerie. Later, our publishers The Wild Rose Press decided to release it as a standalone novella.
What I love about this is how Our Heroine Daywen does whatever it takes to find true love, even solicit magic. However, it's not so much the magic that does the work as Daywen herself. The little enchanted faerie she buys from a gypsy woman merely lets her know she's on the right track. Everything else that leads her to discover her love is purely of her own motivation. I like heroines that go after what they want.
Buy Links:
TWRP : Barnes&Noble : Kobo : Google Play : AllRomance : Amazon
For Richer, For Poorer
The Deveraux line is famous...for a family curse. The rich must marry the poor or lose their prosperity. Peter Baring is the last of the Deveraux and sinking slowly into poverty. But will marriage to his icy business partner save him?
Beatrice Nottham dreams of leaving Earth for a fresh start. But only married couples are allowed to move off-world. Marrying a man she’s unsure she loves will solve that problem...but at what cost?
When Beatrice visits England to research her branch of the Deveraux family tree, she meets Peter and sparks fly. Both question everything they ever believed would fulfill their dreams. If they dare to be together, will the Curse follow them beyond the stars? The answer to breaking its power could lie in the heart of a crumbling tapestry...if they have the courage to try.
When I originally wrote this tale, it was to be the last story in an anthology about the family curse. Every single other story was historical romance. Me, I thought I'd take mine in the other direction--namely the future. I think it might be the only Historical Romance novel set in the future.
Meanwhile, I'm plotting out my latest project tomorrow. Join me for "N" on the A to Z Challenge and have your say in what I write about next.
________________________________________________
Her Grace shall always love books.
Her Grace shall always love books.
A to Z Challenge: M1 - Marriage
Today is one of several M posts because there are many M things I'd like to talk about, and I couldn't choose just one.
I read and write lots of historical Romance. One of the Big Goals in HR is Love within Marriage. Marriage is a forever thing (or at least, until death in some faiths), so is it any wonder that it's used as a distinctive marker for the HEA?
Throughout history, for the most part, marriage wasn't a joining of two people in love. It was a political union, most often for every reason BUT love. Yet humans crave that connection.
Today in much of Western culture, love is considered a necessary requirement before engaging in marriage. (In fact, if some governments learn that you are not marrying for love, but for some other reason, they could very well deny your license.)
In Historical Romance, you get two vectors: Love Matches leading to Marriage -and- Marriage of Convenience leading to Love. I've played with both. In the end, you get a married couple who love each other very much.
I confess I don't read too much Contemporary Romance (as I read mostly for escapism), so I'm not sure how strong the Marriage trope is when it comes to the realisation of the HEA. (Actually, the last Contemporary Romance I read was a M/M, and even that involved a marriage proposal between Our Heroes.) But in Historical Romance, it's all about finding Love in Marriage.
For me, if there's not a marriage (or at least the promise of marriage), the fulness of the love doesn't feel realised to me. For me, that's like Our Hero and Our Heroine declaring they want to spend the rest of forever together, and for the next eighty years, they shall express their undying devotion by holding hands. (Even I have kissing in my Sweet novels.) Holding hands may be cute when you're eight or eighty, but in the years between, I'd expect a certain level of Brown Chicken Brown Cow between two people who are in love and have devoted their lives to each other.
I'm honestly trying to think of a Romance novel I've read that didn't feature marriage as a marker of the Couple's HEA. Feel free to suggest one in the comments.
_________________________________
Her Grace can't help but be a romantic.
I read and write lots of historical Romance. One of the Big Goals in HR is Love within Marriage. Marriage is a forever thing (or at least, until death in some faiths), so is it any wonder that it's used as a distinctive marker for the HEA?
Throughout history, for the most part, marriage wasn't a joining of two people in love. It was a political union, most often for every reason BUT love. Yet humans crave that connection.
Today in much of Western culture, love is considered a necessary requirement before engaging in marriage. (In fact, if some governments learn that you are not marrying for love, but for some other reason, they could very well deny your license.)
In Historical Romance, you get two vectors: Love Matches leading to Marriage -and- Marriage of Convenience leading to Love. I've played with both. In the end, you get a married couple who love each other very much.
I confess I don't read too much Contemporary Romance (as I read mostly for escapism), so I'm not sure how strong the Marriage trope is when it comes to the realisation of the HEA. (Actually, the last Contemporary Romance I read was a M/M, and even that involved a marriage proposal between Our Heroes.) But in Historical Romance, it's all about finding Love in Marriage.
For me, if there's not a marriage (or at least the promise of marriage), the fulness of the love doesn't feel realised to me. For me, that's like Our Hero and Our Heroine declaring they want to spend the rest of forever together, and for the next eighty years, they shall express their undying devotion by holding hands. (Even I have kissing in my Sweet novels.) Holding hands may be cute when you're eight or eighty, but in the years between, I'd expect a certain level of Brown Chicken Brown Cow between two people who are in love and have devoted their lives to each other.
I'm honestly trying to think of a Romance novel I've read that didn't feature marriage as a marker of the Couple's HEA. Feel free to suggest one in the comments.
_________________________________
Her Grace can't help but be a romantic.
Labels:
A to Z challenge,
HEA,
novels
Friday, 30 January 2015
Interview: Joshua Palmatier
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| Joshua Palmatier on a good hair day. |
1. HWK: I remember reading “The Skewed Throne” and
enjoying it. Of all your novels, which
one is your favourite and why?
JP: Hmm . . . well, there something in each of
them that I love, otherwise I wouldn’t have written them, but I think I’d have
to say “The Skewed Throne” is my favorite.
This may be because it was the first novel that I managed to get
published, so there’s a ton of high level emotion involved in the book just
from that. Getting that phone call from
my agent saying DAW was interest in it, getting the contracts, seeing it for
the first time on the shelf at Barnes & Noble—all of those things were new
experiences and had a huge impact on me.
But I’d also say that it’s because of the main character, Varis. I like Varis.
She’s tough, stronger than she thinks, and yet at the same time
vulnerable and can be easily hurt. She’s
a survivor. I like her practicality and
perseverance and that no nonsense attitude.
She’s a good person, even though she’s done some terrible things. I love all of my other main characters, too,
of course, but she’s probably the most ruthless of them all.
2. HWK: What is the greatest thing you
have learned as an author?
JP: Probably that the industry is rough and that,
as Kate Elliott once told me, you have to persevere. Persistence is the key. There are going to be some highs, but there
are also going to be lows, and no matter how great your book is, that doesn’t
mean anything when it hits the market (or the agent or the editor). There are so many factors that go into
whether a book is a success or not (or gets sold or not) that you’re going to
take some lumps occasionally and you just can’t let those lows get you
down. They will, of course—you’ll be
depressed, think you’re a hack, that your writing sucks, etc—but that’s a
normal reaction. You have to pick
yourself back up and keep writing. You
have to believe in your writing, that it SHOULD be out there, and that
eventually it will be and that it will be recognized. It’s all about persistence, not just in
getting that first novel published, but afterwards as well.
3. HWK: You have a PhD in
Mathematics. (My second daughter would
love you, as that’s her favourite subject.)
Only the truly dedicated (or insane) pursue PhDs. What do you love about mathematics?
JP: Well, there’s the benefit that I can use it
to get a day job and thus pay my bills, because the writing certainly doesn’t
come close to doing that. Yet. But it’s more than that, of course. I’ve always loved mathematics. It just MAKES SENSE. And early on, I realized that I was pretty
damn good at explaining it to others so that it made sense to them. So I decided, in sixth grade, that I’d be a
math teacher. (It wasn’t until eighth
grade that I decided to be a writer.) A
little later, I decided I’d rather teach at the college level, which of course
required the PhD. There’s a simplicity
and perfection about mathematics that I enjoy, a reason for everything, and
once you see that, it becomes easy.
Getting people to see that simplicity is the problem.
4. HWK: In life, what can’t you live
without?
Chocolate. HA!
But seriously, let’s see . . . No, it’s pretty much chocolate.
5. HWK: If you can talk about it,
what’s your next planned project?
Otherwise, what’s your latest project?
My current
project is the sequel to SHATTERING THE LEY, called THREADING THE NEEDLE. It continues the story set up in LEY, which
revolves around a society that has tapped into the ley lines as a power source
and has used it to build up large cities, the Wielders of the ley sowing towers
in a single day, creating flying barges, etc.
Think London or New York City, but with everything being powered by the
ley. In LEY, the Baron controls the ley
using his vicious Dogs as a military force and tight control of the Wielders
themselves. But of course there are
those that want to break the Baron’s hold on this power, including the barons
that control the surrounding cities. LEY
is all about how the Baron’s control is broken.
So THREADING THE
NEEDLE picks up almost immediately after that, with the people of the city of
Erenthrall that the Baron controlled picking up the pieces. The Nexus that the Prime Wielders used to
control and augment the power of the ley has shattered and various groups are
now vying for the power and for the resources left over in the ruined
city. But the destruction of the Nexus
has damaged the natural order of the ley, creating massive distortions that
envelop entire cities, auroral lights that wreak havoc with reality wherever
they appear, and seismic quakes brought on by the natural ley trying to
reestablish itself. In NEEDLE, we follow
the main characters from LEY—Kara and Allan—as they attempt to keep their friends
and family alive in this dangerous new world, while at the same time try to
heal the ley . . . before it tears their world completely apart.
I’m writing the
last few chapters of THREADING THE NEEDLE right now (I’m actually at the final
big scene). I’m hoping that I can get
this revised and handed in so that it appears this year from DAW Books. After that . . . hopefully I can start work
on the third book in the series, REAPING THE AURORA. Also in the works this year is another
anthology project co-edited by Patricia Bray and myself called TEMPORALLY OUT
OF ORDER, with stories about objects or gadgets that are acting “temporally”
out of order, as opposed to temporarily.
I think the stories for this anthology are going to be loads of fun.
6. HWK: Which of your novels would you
want new fans to read first?
I’d like fans to
start at the beginning, with the “Throne of Amenkor” trilogy—comprised of THE
SKEWED THRONE, THE CRACKED THRONE, and THE VACANT THRONE—mostly because I’d
rather people read the books in the order that they were written and appeared
in print. I’d like to think my writing
has improved over time, and I’d hate to have someone read a later book, love
it, then grab an earlier book and be disappointed with the writing. But there’s another reason as well: that trilogy is completed. You can get all three books and read them
BAM! BAM! BAM! Without a wait. There’s a
certain satisfaction in that kind of reading experience. *grin*
7. HWK: One final question where you
can preach to your heart’s content: If you
could convince the world of one thing, what would it be?
JP: To read more!
Not necessarily my books, but I don’t think people are reading as much
as they should and I don’t think they realize how much it improves . . . well,
pretty much everything about their lives.
And it’s not that they need to be reading “classics” or all of those
“good” books suggested in English classes and whatnot. They can read anything. But I’m probably preaching to the choir here,
so I’ll just leave it at that. *grin*
Find Joshua on Goodreads, the Web, and his LiveJournal. Haven't read any of his books? You can get The Skewed Throne on Amazon, Kobo Books, and pretty much anywhere good books are sold.
Friday, 12 September 2014
What Novels are REALLY About
Think about a Really Good Book, perhaps your favourite novel, or something you read last month that captured your heart. You know the one. You're still thinking about it. You would read it again, if you could.
What is it you like so much about that book?
Chances are, it's a character. Sure, books fall into two categories--plot-based and character-based. I know people who detest character-based book "because the plot doesn't go anywhere". (Fair enough; I understand.) Consider this: in plot-based books, the plots are going somewhere for whom? The characters. They're the most important part.
Ultimately, books are all about the characters. It's to the characters we relate, we cheer for, we follow and we have our hopes, our dreams, our anxieties. We don't emotionally invest in plots. We invest in characters.
I've belonged to an Online Writing Workshop for the past, oh dozen years or so. I've had the opportunity to read hundreds of chapters of dozens of books. Those books that are memorable, even years later, are those that had strong, well-rounded characters.
In the workshop I came across chapters that had vast sweeping plots of beautiful complexity and very forgettable characters. When this happened, the whole book fell flat. The plot couldn't save it. It just couldn't keep my interest. I couldn't invest.
Characters are everything and need to be well-developed. Give me a book with a richly-developed character going places, and I'm yours.
________________________________
Her Grace acknowledges your mileage may vary. She dares you to tell her about a book you love where any of the characters aren't terribly memorable.
What is it you like so much about that book?
Chances are, it's a character. Sure, books fall into two categories--plot-based and character-based. I know people who detest character-based book "because the plot doesn't go anywhere". (Fair enough; I understand.) Consider this: in plot-based books, the plots are going somewhere for whom? The characters. They're the most important part.
Ultimately, books are all about the characters. It's to the characters we relate, we cheer for, we follow and we have our hopes, our dreams, our anxieties. We don't emotionally invest in plots. We invest in characters.
I've belonged to an Online Writing Workshop for the past, oh dozen years or so. I've had the opportunity to read hundreds of chapters of dozens of books. Those books that are memorable, even years later, are those that had strong, well-rounded characters.
In the workshop I came across chapters that had vast sweeping plots of beautiful complexity and very forgettable characters. When this happened, the whole book fell flat. The plot couldn't save it. It just couldn't keep my interest. I couldn't invest.
Characters are everything and need to be well-developed. Give me a book with a richly-developed character going places, and I'm yours.
________________________________
Her Grace acknowledges your mileage may vary. She dares you to tell her about a book you love where any of the characters aren't terribly memorable.
Labels:
books,
characters,
love,
novels
Wednesday, 6 November 2013
Postbox in New Jersey
When I was young, I devoured books like candy corn on Halloween. No book was safe. I had my own library card from age three (it was yellow). By the age of twelve, I'd read every single book in the house.
As I grew older, I developed a sense of taste. Sure, I read every chance I got, but I noticed that sometimes authors took stories in directions other than where I wanted them to go.
"No, no," I said. "That isn't right." (Who kills Humperdinck?)
But these authors weren't listening to me. Sigh.
I got started writing my own stories by writing the tales other authors didn't.
As a teen, I read the Belgariad by David Eddings. Good stuff for me at that time and that place.
Later I wondered, why is it the farmboys are always secretly hidden princes who must save the world? What if the farmboy was really a farmboy. And what if he didn't want to go off on adventures?
Thus a story was born.
Later, I read Dave Duncan's "A Man of His Word" series. Also enjoyed it. Satisfying world-building, understandable characters, quests for intangible stuff.
Then I got to the end. I wholly expected the ending to go one way. Duncan took it the other way. When I read that, my little Mormon heart went, "WHAT?!? You've got to be kidding me!"
It was like reading a hot and steamy romance (extra spicy) and getting to the sex scene. Our Hero and Our Heroine are about to Get It On. They've torn off their clothes, exchanged Meaningful Glances, then leap into bed...
...to spend the rest of the night doing nothing more than holding hands. Maybe not even that. Maybe only linking pinkies.
AND THEY PLAN ON DOING THAT FOR THE REST OF THEIR LIVES. For them, a condom is another name for a townhouse.
By gum, I vowed, I would not do that to my readers. If I give my characters a vision of the future, we're gonna go all the way. Eucatastrophe! Or Death! All or Nothing!
Yeah.
And another book was born.
Many of my stories take that road someone else could have taken, but didn't.
Sometimes I understand why an author chose the path they took. Other times, I am left to my bafflement.
I'm not unique in this; I've had readers tell me that they expected my story to go one way and I took it another.
If we all liked the same pathway, all our stories would be rather monochrome and predictable. And where's the fun in that?
____________________
Her Grace believes that disappointment in a novel isn't an all-bad thing, if it inspires her to write something better. Currently, she is doing just that.
As I grew older, I developed a sense of taste. Sure, I read every chance I got, but I noticed that sometimes authors took stories in directions other than where I wanted them to go.
"No, no," I said. "That isn't right." (Who kills Humperdinck?)
But these authors weren't listening to me. Sigh.
I got started writing my own stories by writing the tales other authors didn't.
As a teen, I read the Belgariad by David Eddings. Good stuff for me at that time and that place.
Later I wondered, why is it the farmboys are always secretly hidden princes who must save the world? What if the farmboy was really a farmboy. And what if he didn't want to go off on adventures?
Thus a story was born.
Later, I read Dave Duncan's "A Man of His Word" series. Also enjoyed it. Satisfying world-building, understandable characters, quests for intangible stuff.
Then I got to the end. I wholly expected the ending to go one way. Duncan took it the other way. When I read that, my little Mormon heart went, "WHAT?!? You've got to be kidding me!"
It was like reading a hot and steamy romance (extra spicy) and getting to the sex scene. Our Hero and Our Heroine are about to Get It On. They've torn off their clothes, exchanged Meaningful Glances, then leap into bed...
...to spend the rest of the night doing nothing more than holding hands. Maybe not even that. Maybe only linking pinkies.
AND THEY PLAN ON DOING THAT FOR THE REST OF THEIR LIVES. For them, a condom is another name for a townhouse.
By gum, I vowed, I would not do that to my readers. If I give my characters a vision of the future, we're gonna go all the way. Eucatastrophe! Or Death! All or Nothing!
| Man, I LOVE this stuff! |
Yeah.
And another book was born.
Many of my stories take that road someone else could have taken, but didn't.
Sometimes I understand why an author chose the path they took. Other times, I am left to my bafflement.
I'm not unique in this; I've had readers tell me that they expected my story to go one way and I took it another.
If we all liked the same pathway, all our stories would be rather monochrome and predictable. And where's the fun in that?
____________________
Her Grace believes that disappointment in a novel isn't an all-bad thing, if it inspires her to write something better. Currently, she is doing just that.
Labels:
novels,
story fodder,
story ideas,
writing
Wednesday, 23 October 2013
Falling in Love: Bad Idea
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| Requited? I wish. |
When I was gloriously young, I fell in love with a boy, as many a fluttery young things does. He was sweet, he was kind, he was gorgeous, we shared similar interests, he would talk to me. I set my heart on him; someday we’d get married.
Alas, he did not feel the same way about me. I simply didn’t make his heart sing, the way he made mine sing. Also broke my heart when he got a high-school sweetheart (not me).
Still, we were good friends, because all those qualities of his for which I fell in love, also meant he’d be an excellent friend. Thirty years on, we’re still friends. Would he have made a wonderful husband and father? Absolutely. I see evidence of that all the time in how he treats the wife he met at university and their beautiful children.
I am comforted that I had chosen well. He turned out to be a good husband for someone. But would I have been the wife for him? That is also an important question. He had his chance. He said no. Le sigh.
So here I am again, vastly, deeply in love.
With an agent.
I fell in love when researching agents in general. She repped my genres, she had a strong worth ethic, she had a genuine interest in the improvement of all writers, her current clients spoke well of her, I liked how she did business, and I loved her long-term outlook. Got to meet her a couple of times at conventions and I liked her vibe.
Could she be the agent for me? Quite likely. But am I the client for her? That’s the important question.
Pitched to her once. She liked the sound of my novel, so she requested pages. In the end, she said no to my project. Later, I revisited the project and saw several reasons why she said no. Oh, it was sooo not ready! What was I thinking?
That no of hers was a big favour for me. I have significantly revised that project and fixed everything I discovered wrong. I have become a better writer because of it. I wasn’t publishable then. Maybe I am now. (A few short story editors think so.)
When she turned down my previous project, she asked to see my next one. I must have done something right the first time. So I’m polishing my WIP and doing my best to make sure it’s sub-ready. Then it’s off to see if she’ll love my work as much as I love hers.
While I daydream of a yes, I haven’t forgotten that the most likely answer is no. She is queried widely and has to turn down lots of projects that go on to find other agents, publishers, success. I might be imminently publishable, but I might not be the client for her.
So what’s a girl to do? Prepare herself for a No.
I have committed a grievous sin by falling in love with a dream agent. Serious no-no in the industry. Such dreams always end in tears.
So I’m of playing the field and stalking other agents. I see who my peeps sign with. I peruse various blogs and occasionally lurk on Twitter. I do my research. I ask other writers what they think of their agents. (I don’t ask for a recommendation or anything like that. That’s just obnoxious. However, I am open to someone volunteering that sort of thing. At least, read my stuff first.)
Will I sub to Agent “I See Potential In You”? Sure. She wouldn’t have asked to see my next project if she didn’t think I had something.
Shall I cry if she says no? Yep. Big fat tears.
Then I shall wipe my eyes, put on my big girl panties and send queries out to Dream Agents #2, #3, #4, #5…
Even if she says no, this agent will always hold a special place in my heart professional network. Not only was her original no a clandestine favour, her asking to see my next project may also have served me well. After her no, I could have turned around and sent my ms out to a whole bunch o’ agents before it was ready. Her request to see my next project motivated me to work on that next project and not dwell on the current one. I moved on. I honed my craft. I dug in and worked hard.
So yeah. I’ll query her and I’ll dream of a yes. Then again, with every agent I plan on querying, I will dream of a yes.
Time to go fall in love, oh, a hundred times. QueryTracker and AgentQuery are my PlentyofFish and OKCupid.
______________________
Her Grace falls in love far too easily. Such a quality is good in a Romance author. Her heart will always belong to That Boy, That Agent and Richard Armitage.
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| Gorgeous inside and out. |
Labels:
agent,
first novels,
love,
novels,
pitching,
queries,
richard armitage
Monday, 14 October 2013
Extremes
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| And when I fall off, it will be into another world. |
You know what makes a story really REALLY good for me? The fact that characters go to extremes. No Quiet Novels for me. Nosiree!
Characters who are pushed to their limits. Life-and-death situations (either figurative or literal). Their lives changing irrevocably (or at least the threat, if they Don’t Do Something Right Now!!) The destruction of the world around them (figurative or literal). Characters making the Hard Choices. Characters failing to make the hard choices and having everything go Charlie Foxtrot.
I like to see characters faced with a choice, where both of them are gonna result in Very Bad Consequences. (Ah, sweet dilemma!)
For me, the beginning of a good novel involves the earth shattering for the characters. The end of a good novel involves the characters dealing with the consequences to my satisfaction.
This stuff is intriguing.
Yes, even in frothy Regency romances.
Humans are extreme characters. Just look at all the World Records people make’n’break every year. Look at our sporting pursuits, our court cases, our facebook pages. There is nothing tepid or half-way about Humanity.
Why should our stories be any different?
Labels:
edge of your seat,
novels
Wednesday, 2 October 2013
Do Not Fear Genre Fiction.
If you are a literary reader, do not fear genre fiction.
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| Lit and Life will read genre fiction. |
At first, it may seem shallow and trite to read if you’re not used to it. Genre novels are meant to be readily accessible. Doesn’t mean they lack substance.
Genre fiction tends to be plot-driven. It’s about stuff happening. This will be the primary motivational force. This plot will often function within a worldbuilding frame, thus giving rise to a “genre” category (ie, Western, or Romance or Science Fiction, etc). Certain elements and supertext will be present, thus “uncluttering” the text and allowing the plot to unfold at a certain pace.
Plot-driven fiction will have a certain rhythm in the plot beats or “events”. Slow plots tend to bore genre readers, as they’re more interested in “what happens next”, and not necessarily “here we are”.
Consider genre fiction a kind of “mystery”. You’re given a few very important clues as to your characters and their dilemma. Then let the plot unfold, noting the character’s impact on how this unfolding takes place. Characters will have motivations and goals. Plot tension comes when the characters are thwarted in achieving these goals. Select elements of their character will be revealed along the way as they encounter the plot and how they react to it. Does the character receive satisfaction at the end of the plot, or did they have to compromise?
More on genre fiction categories. Meanwhile...
Oh, Tom Gauld. You understand.
___________________
Her Grace is fond of genre fiction of all kinds (not just Romance). Yes, it's all about the jet packs. They're awesome.
Labels:
genre fiction,
novels,
plot,
supertext
Monday, 30 September 2013
Do Not Fear Literary Fiction
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| Estella's Revenge will read literature. Some she loves, some, not so much. |
If you are a genre reader, do not fear literary fiction. http://en.wikipedia.org/wiki/ Literary_fiction
Yes, it can be difficult to read and understand if you’re not used to it. Literary novels are about “being”. Genre novels are about “going”.
Literary fiction tends to be character-driven. Plot takes a secondary seat. Literary fiction is about getting to know someone(s).
Consider literary fiction a kind of “mystery”. Who is this character? What clues are given to me? How are they feeling? What dilemmas are they facing? As the world happens about them, how are they impacted? Don’t worry so much about where they are going and their role in the plot, but rather dwell upon who they are, and why they are where they are.
Literary fiction is not meant to be read quickly. Take your time and revel in the beauty of the words. Study the characters and get to know the whole of them. Become emotionally involved.
Literary fiction plays with the English language. It pushes it to its limit. Sometimes it’s good to read literary fiction to see just how far English can go.
__________________
As part of her MFA from SoHK, Her Grace is currently reading and analysing Literary Fiction. She has discovered that understanding leads to tolerance and respect.
Labels:
characters,
literary fiction,
MFA,
novels,
SoHK
Wednesday, 25 September 2013
What Her Grace is Reading This Week
These are the books whose pages my eyes are grazing.
Soulless by Gail Carriger. I already own Changeless (which I completely forgot to get signed at WorldCon a few years ago), and thought I'd read the rest of the Parasol Protectorate series. Gail Carriger does an excellent job of blending the best of early 21st century genre fiction elements into a delightful story.
Eats, Shoots, Leaves by Lynne Truss. Nabbed this from the shelves as a refresher on grammatical elements of punctuation. Part of the necessary reading for an MFA.
First Things First by Stephen Covey. A re-read, actually, to remind me how to order the things that are important.
Doctrine and Covenants. Having just finished the New Testament, I thought I'd move on to this. This is going to take me a very long time.
The Sound and the Fury by William Faulkner. Another recommended MFA read. I confess I don't read much literary stuff, but I thought I'd give this a go. Not reading it for entertainment value (literary does not "entertain") but to see one way the English language could be be used. Sometimes one can forget there are many way to use the English language. Some can be starkly beautiful.
Moo Baa La La La by Sandra Boynton. After mentioning this to Charlie Finlay last week, I thought I'd re-read this. It never loses its charm and appeal.
_______________________
Her Grace is currently upping her reading levels as a necessary part of the craft. You can find a complete list of her TBR pile, including past reads here. Her Grace is also pursuing an MFA from the prestigious SoHK.
Soulless by Gail Carriger. I already own Changeless (which I completely forgot to get signed at WorldCon a few years ago), and thought I'd read the rest of the Parasol Protectorate series. Gail Carriger does an excellent job of blending the best of early 21st century genre fiction elements into a delightful story.
Eats, Shoots, Leaves by Lynne Truss. Nabbed this from the shelves as a refresher on grammatical elements of punctuation. Part of the necessary reading for an MFA.
First Things First by Stephen Covey. A re-read, actually, to remind me how to order the things that are important.
Doctrine and Covenants. Having just finished the New Testament, I thought I'd move on to this. This is going to take me a very long time.
The Sound and the Fury by William Faulkner. Another recommended MFA read. I confess I don't read much literary stuff, but I thought I'd give this a go. Not reading it for entertainment value (literary does not "entertain") but to see one way the English language could be be used. Sometimes one can forget there are many way to use the English language. Some can be starkly beautiful.
Moo Baa La La La by Sandra Boynton. After mentioning this to Charlie Finlay last week, I thought I'd re-read this. It never loses its charm and appeal.
_______________________
Her Grace is currently upping her reading levels as a necessary part of the craft. You can find a complete list of her TBR pile, including past reads here. Her Grace is also pursuing an MFA from the prestigious SoHK.
Wednesday, 21 August 2013
How I Write a Novel
So, more on how I work:
I’ve got my novelling process down to a somewhat ordered format. Conception, pre-writing, outlining, drafting, editing, done. Often these steps overlap.
Conception: This is where I come up with the idea for a novel. Sometimes a character arises, and I want to tell her story (Grace Anson). Other times a situation happens, and I want to know more (what happens if the farmboy says no to the quest?). Sometimes I’ll do the ol’ “What If…?” (What if a valley is unfarmed because it is haunted?)
Pre-Writing: this is where I start putting elements of the story together. This often happens simultaneously with Outlining. As I get characters and scenes and story neepery, I write it down. This is where the real writing of the novel happens. From the outside, this process looks an awful lot like this:
But inside, there’s a whole lotta hampster wheels cranking away.
I’ll have most of the novel written out in my head before I actually start putting words to page. The characters play out their scenes and have their dialogues and fights and other happenings. I do my best to remember what happens, and often take notes.
Outlining: Happens during the pre-writing stage as I take notes. This is where I start ordering scenes. I’ll put down what happens in a scene, who’s involved, where it’s happening, and what important thing needs to happen. I’ll also make encluing* notes. I like to have my outline in place before I officially write scenes. (Snippets of dialogue from pre-writing don’t count.)
Drafting: By now, most of the novel is done (in concept). Here’s where I BIC (butt in chair) and do the actual scribing onto the page. I mostly follow the outline, but sometimes little things will pop up. I’m okay with that, if it fits in with the overall plot. If something does crop up, I’ll go and stick it in the outline. Because I know most of how they story’s gonna unfold, I can simply write it all down, without having to pause to think much.
Editing: Once the draft is done, I’ll let it sit for a while. Sometimes my brain will fill in subconscious details that aren’t on the page. When I let a ms age, I can come back to it with fresh eyes. Then the holes are more obvious. I’ll give it an editing pass or three, maybe let it sit a bit longer. Whatever.
Done: Once I’m done with a draft I like, then it’s ready to do the rounds with the beta readers. I’m fond of OWW but sometimes it can take a long time to ‘orkshop an entire novel. Otherwise, I’ll toss it out to a couple of mates and other random volunteers.
*enclue (en-clu’) en-clu-ed, en-clu-ing - v: to stick clues or other subtle-yet-pertinent information into a story. Covers hints and clues leading to the truth, but not necessarily red herrings.
I’ve got my novelling process down to a somewhat ordered format. Conception, pre-writing, outlining, drafting, editing, done. Often these steps overlap.
Conception: This is where I come up with the idea for a novel. Sometimes a character arises, and I want to tell her story (Grace Anson). Other times a situation happens, and I want to know more (what happens if the farmboy says no to the quest?). Sometimes I’ll do the ol’ “What If…?” (What if a valley is unfarmed because it is haunted?)
Pre-Writing: this is where I start putting elements of the story together. This often happens simultaneously with Outlining. As I get characters and scenes and story neepery, I write it down. This is where the real writing of the novel happens. From the outside, this process looks an awful lot like this:
But inside, there’s a whole lotta hampster wheels cranking away.
I’ll have most of the novel written out in my head before I actually start putting words to page. The characters play out their scenes and have their dialogues and fights and other happenings. I do my best to remember what happens, and often take notes.
Outlining: Happens during the pre-writing stage as I take notes. This is where I start ordering scenes. I’ll put down what happens in a scene, who’s involved, where it’s happening, and what important thing needs to happen. I’ll also make encluing* notes. I like to have my outline in place before I officially write scenes. (Snippets of dialogue from pre-writing don’t count.)
Drafting: By now, most of the novel is done (in concept). Here’s where I BIC (butt in chair) and do the actual scribing onto the page. I mostly follow the outline, but sometimes little things will pop up. I’m okay with that, if it fits in with the overall plot. If something does crop up, I’ll go and stick it in the outline. Because I know most of how they story’s gonna unfold, I can simply write it all down, without having to pause to think much.
Editing: Once the draft is done, I’ll let it sit for a while. Sometimes my brain will fill in subconscious details that aren’t on the page. When I let a ms age, I can come back to it with fresh eyes. Then the holes are more obvious. I’ll give it an editing pass or three, maybe let it sit a bit longer. Whatever.
Done: Once I’m done with a draft I like, then it’s ready to do the rounds with the beta readers. I’m fond of OWW but sometimes it can take a long time to ‘orkshop an entire novel. Otherwise, I’ll toss it out to a couple of mates and other random volunteers.
*enclue (en-clu’) en-clu-ed, en-clu-ing - v: to stick clues or other subtle-yet-pertinent information into a story. Covers hints and clues leading to the truth, but not necessarily red herrings.
Labels:
architecture,
editing,
novels,
outline,
writing craft
Wednesday, 14 August 2013
Epiphany -or- "How bad do you want it"
Several weeks ago I had an epiphany. Glad I did.* My epiphany was this: how bad did I want to be a writer?
It is a question every writer, from the “I’d like to write a novel someday” aspirant to Mary Falkner, needs to ask herself.
How bad? How really, really bad, do you want it?
My answer: really, really bad.
The second question: So, what’s stopping you?
Don’t think this answer is a cop-out, or someone calling you on your lack of faith. It is an honest-to-good introspection. If you are not writing prolifically every day, why not? What stops you from sitting down and cranking out draft until you pass out from sheer exhaustion?
Well, the need for sleep, for one. Young children who need their mom. The need to eat, the day job to pay the bills, other necessary obligations (dishes? Nah). There will always be things in your life that will be more important than writing.
But what about the Internet? Is it more important than your writing? How about games? Television? What little time-wasters are you indulging in when you could be writing?
Next question: Why are you letting these time-wasters get in the way of your writing? Don’t let this question fool you. It’s not saying, “get off your lazy butt and write!” It’s asking for the reasons behind why you chose to watch television, or play Angry Birds or Facebook instead of writing.
Why was your desire to catch up on “2 Broke Girls” more enticing than finishing a scene? Whatever the reason, perhaps it’s something you must address. Did you choose to flop in front of the television because you were tired? Once in a while is okay. All the time is not. Examine your logic. (See question #1. How bad do you want to write? If you answered truly with “really, really bad”, your soul will find the energy from somewhere, somehow, to write. Only when you fall asleep on your keyboard, or your spousal unit demands you retire to bed, should you acknowledge your tiredness (as in, “Where did that yawn come from?”).)
Want it bad enough? It will drive you. Drive you forward, drive to completion, drive you to another plane of existence, drive you spare, to distraction, to go mad.
But you will always come back to it, because if you want it truly, madly, deeply, you cannot help but come back. You can’t not write.
Maybe writing is not as important as you want it to be. That’s okay. But do be honest with yourself. If you don’t want it so bad your eyeballs turn yellow, accept that, and be content with being a weekend writer and the occasional published short story. There is nothing wrong with that.
Unless you really want it so bad, dominatrices send you their cards. If so, acknowledge just how important it is and give in to your highest dream.
*Epiphanies are always straightforward and direct. But you can’t rush ‘em. This irks me. Five minutes ago, I was wondering, “Why didn’t this epiphany come five years ago, when I really needed it, or even ten years ago? They come when they are ready to come, and when you are ready for them. It’s some sort of juxtaposition of synergy thing. What I am doing now, I wanted to do five/ten/twenty years ago. But I didn’t. I’m still not sure why, but I wasn’t ready. I wish I was. Imagine all the mighty things I could have accomplished! But I got it now, and I acted upon it right away. I berate myself for letting me be so stupid and lazy and not believing in my dream enough. But then sometimes I need to learn the hard way. This time, I’m hoping to stick to my guns. I’m going to tap into that bit of me deep down that really REALLY wants this. I’m going to be bold. I’m not going to shirk. __________________________________________
Her Grace has cranked out thirty thousand words since the epiphany nearly three weeks ago, despite the day job, her family and church callings. As a result, her Facebook page is sparse, her TV recordings are piling up and Their Ladyships are learning independence immersion-style. She’ll be looking for a few good beta-readers soon.
It is a question every writer, from the “I’d like to write a novel someday” aspirant to Mary Falkner, needs to ask herself.
How bad? How really, really bad, do you want it?
My answer: really, really bad.
The second question: So, what’s stopping you?
Don’t think this answer is a cop-out, or someone calling you on your lack of faith. It is an honest-to-good introspection. If you are not writing prolifically every day, why not? What stops you from sitting down and cranking out draft until you pass out from sheer exhaustion?
Well, the need for sleep, for one. Young children who need their mom. The need to eat, the day job to pay the bills, other necessary obligations (dishes? Nah). There will always be things in your life that will be more important than writing.
But what about the Internet? Is it more important than your writing? How about games? Television? What little time-wasters are you indulging in when you could be writing?
Next question: Why are you letting these time-wasters get in the way of your writing? Don’t let this question fool you. It’s not saying, “get off your lazy butt and write!” It’s asking for the reasons behind why you chose to watch television, or play Angry Birds or Facebook instead of writing.
Why was your desire to catch up on “2 Broke Girls” more enticing than finishing a scene? Whatever the reason, perhaps it’s something you must address. Did you choose to flop in front of the television because you were tired? Once in a while is okay. All the time is not. Examine your logic. (See question #1. How bad do you want to write? If you answered truly with “really, really bad”, your soul will find the energy from somewhere, somehow, to write. Only when you fall asleep on your keyboard, or your spousal unit demands you retire to bed, should you acknowledge your tiredness (as in, “Where did that yawn come from?”).)
Want it bad enough? It will drive you. Drive you forward, drive to completion, drive you to another plane of existence, drive you spare, to distraction, to go mad.
But you will always come back to it, because if you want it truly, madly, deeply, you cannot help but come back. You can’t not write.
Maybe writing is not as important as you want it to be. That’s okay. But do be honest with yourself. If you don’t want it so bad your eyeballs turn yellow, accept that, and be content with being a weekend writer and the occasional published short story. There is nothing wrong with that.
Unless you really want it so bad, dominatrices send you their cards. If so, acknowledge just how important it is and give in to your highest dream.
*Epiphanies are always straightforward and direct. But you can’t rush ‘em. This irks me. Five minutes ago, I was wondering, “Why didn’t this epiphany come five years ago, when I really needed it, or even ten years ago? They come when they are ready to come, and when you are ready for them. It’s some sort of juxtaposition of synergy thing. What I am doing now, I wanted to do five/ten/twenty years ago. But I didn’t. I’m still not sure why, but I wasn’t ready. I wish I was. Imagine all the mighty things I could have accomplished! But I got it now, and I acted upon it right away. I berate myself for letting me be so stupid and lazy and not believing in my dream enough. But then sometimes I need to learn the hard way. This time, I’m hoping to stick to my guns. I’m going to tap into that bit of me deep down that really REALLY wants this. I’m going to be bold. I’m not going to shirk. __________________________________________
Her Grace has cranked out thirty thousand words since the epiphany nearly three weeks ago, despite the day job, her family and church callings. As a result, her Facebook page is sparse, her TV recordings are piling up and Their Ladyships are learning independence immersion-style. She’ll be looking for a few good beta-readers soon.
Labels:
fiction,
life,
novels,
pondering,
procrastinating,
professional,
reality,
writing
Thursday, 10 November 2011
Thoughts of a professional writer
I took the first two weeks of November off from my Day Job to be a professional writer. I've never done anything like this before.
Yeah, I've had great swathes of time on my hands before, and dabbled a bit at my writing career, in between doing all sorts of other stuff, but I never approached it then as I am now.
For the past two weeks, I told everyone and especially myself that I was a professional writer.
And then I approached it as a professional would.
Every morning I'd get up, have breakfast, see Their Ladyships off to school, then I would sit down, fire up the laptop and get to work. I made goals, I set targets, I had a deadline imposed on me by someone else and I made myself accountable to them.
And you know what? I got some serious work done. With the exception of the Sabbath and one day I told a friend I'd help her with something, I've been pulling in about 4K words a day. That's serious mojo. I also had time left over to devote to editing other projects and sending out a few things to publishers.
And all done before Their Ladyships got home from school.
First few days was easy. Last few days was hard, as I found myself wanting to rebel against the structure I'd imposed. But yesterday, I gathered my courage, sat down, and did my wordage. Today, same thing.
Next week I go back to work, "full-time school" hours. I go back to squeezing in writing when I can, between the Day Job, the Extracurriculars and the Family. I'm going to miss being a professional writer. I don't know if I'm going to like the fly-by-night moonlighting style of being a writer, even though most of my published mates work that way.
Treating writing as a professional day job was eye-opening.
I've not done the like before, but after a week and a half of serious BIC, I'm thinking that yeah, maybe I can do this sort of thing on a more permanent basis.
I've just got to figure out how to get me some more of that.
Yeah, I've had great swathes of time on my hands before, and dabbled a bit at my writing career, in between doing all sorts of other stuff, but I never approached it then as I am now.
For the past two weeks, I told everyone and especially myself that I was a professional writer.
And then I approached it as a professional would.
Every morning I'd get up, have breakfast, see Their Ladyships off to school, then I would sit down, fire up the laptop and get to work. I made goals, I set targets, I had a deadline imposed on me by someone else and I made myself accountable to them.
And you know what? I got some serious work done. With the exception of the Sabbath and one day I told a friend I'd help her with something, I've been pulling in about 4K words a day. That's serious mojo. I also had time left over to devote to editing other projects and sending out a few things to publishers.
And all done before Their Ladyships got home from school.
First few days was easy. Last few days was hard, as I found myself wanting to rebel against the structure I'd imposed. But yesterday, I gathered my courage, sat down, and did my wordage. Today, same thing.
Next week I go back to work, "full-time school" hours. I go back to squeezing in writing when I can, between the Day Job, the Extracurriculars and the Family. I'm going to miss being a professional writer. I don't know if I'm going to like the fly-by-night moonlighting style of being a writer, even though most of my published mates work that way.
Treating writing as a professional day job was eye-opening.
I've not done the like before, but after a week and a half of serious BIC, I'm thinking that yeah, maybe I can do this sort of thing on a more permanent basis.
I've just got to figure out how to get me some more of that.
Labels:
day-job,
life,
NaNo,
novels,
professional,
writing,
writing craft
Tuesday, 8 April 2008
Book Promotion and Brand Establishment
The Enchanted Faerie is coming out soon. Real soon. So soon we can taste it.
We're terribly excited about it and want to make the world excited too. So our thoughts have turned to book promotion.
See, book promotion is more than just handing out flyers and cleverly-wrapped candies. Book promotion is more than just letting you know we've got a book out. (since you're reading this blog, there's a good chance you already know about The Enchanted Faerie.)
We want more.
We want our book to stand out from among all the others you might come across this year. We want not just for you to know about The Enchanted Faerie, but we want you to be interested in it.
We love the premise of The Enchanted Faerie. Love always comes at a cost. Gypsy Alishandra Orona has set the price at 100 gold pieces. That's a lot of money by today's standards and certainly not a small fortune in the Sixteenth Century.
Is love--true love--worth it? (Is Greggie MacDonald worth a hunnert?) Perhaps the price of a faerie is too high. Just because one acquires a faerie doesn't mean that one is guaranteed to find love. After all, one's heart can only stand so much stress before it breaks.
And yet, for some, the thought of dwindling and dying in lonely spinsterhood is the worst fate of all.
Oh, decisions, decisions. Can't anything ever be easy? Not every tale ends in the HEA every heroine dreams about. Who finds true love? Whose heart gets broken? And what is it about Lachlan the Blacksmith?
Now, before we started really promoting the book, we were establishing our brand.
We're the Romance Spinners and we spin tales of love, of sorrow and of the indomitable human spirit.
The Enchanted Faerie is only the beginning. Our next project is For Richer, For Poorer. Ah, the poor Deveraux family and their curse.
Meanwhile, we Spinners would like to show you the cool stuff we've discovered from research, our experience in the writing craft, the fun things we've encountered on the Internet and our obsession with actor Richard Armitage.
So pick a Spinner and ask three questions. They don't have to be serious (either the Spinners or the questions).
Meanwhile, I find the following very interesting:
I Can Has Cheezburger?, proving the third largest purpose of the Internet is to post pictures of cats.
Miss Snark, who'll lay the writing craft out in a brutally honest yet useful form.
Fourmilab, for all those really cool astronomical-ish stuff.
Google Earth. Dude, everyone's gotta check out Google Earth, even if only to find their house.
We're terribly excited about it and want to make the world excited too. So our thoughts have turned to book promotion.
See, book promotion is more than just handing out flyers and cleverly-wrapped candies. Book promotion is more than just letting you know we've got a book out. (since you're reading this blog, there's a good chance you already know about The Enchanted Faerie.)
We want more.
We want our book to stand out from among all the others you might come across this year. We want not just for you to know about The Enchanted Faerie, but we want you to be interested in it.
We love the premise of The Enchanted Faerie. Love always comes at a cost. Gypsy Alishandra Orona has set the price at 100 gold pieces. That's a lot of money by today's standards and certainly not a small fortune in the Sixteenth Century.
Is love--true love--worth it? (Is Greggie MacDonald worth a hunnert?) Perhaps the price of a faerie is too high. Just because one acquires a faerie doesn't mean that one is guaranteed to find love. After all, one's heart can only stand so much stress before it breaks.
And yet, for some, the thought of dwindling and dying in lonely spinsterhood is the worst fate of all.
Oh, decisions, decisions. Can't anything ever be easy? Not every tale ends in the HEA every heroine dreams about. Who finds true love? Whose heart gets broken? And what is it about Lachlan the Blacksmith?
Now, before we started really promoting the book, we were establishing our brand.
We're the Romance Spinners and we spin tales of love, of sorrow and of the indomitable human spirit.
The Enchanted Faerie is only the beginning. Our next project is For Richer, For Poorer. Ah, the poor Deveraux family and their curse.
Meanwhile, we Spinners would like to show you the cool stuff we've discovered from research, our experience in the writing craft, the fun things we've encountered on the Internet and our obsession with actor Richard Armitage.
So pick a Spinner and ask three questions. They don't have to be serious (either the Spinners or the questions).
Meanwhile, I find the following very interesting:
I Can Has Cheezburger?, proving the third largest purpose of the Internet is to post pictures of cats.
Miss Snark, who'll lay the writing craft out in a brutally honest yet useful form.
Fourmilab, for all those really cool astronomical-ish stuff.
Google Earth. Dude, everyone's gotta check out Google Earth, even if only to find their house.
Thursday, 6 March 2008
What is it about romance novels?
Romance novels are devoured by woman around the world. Even those who hate them, secretly read them. They have been called trashy, forbidden, inappropriate and not true literary works. But we all know the truth is that romance is one of the biggest selling genres around.
To be honest, I don't think their are many out there with the close minded attitude that romance novels are the gateway to sin anymore. (at least they have quieted down some) Sure, we run across the occasional naysayer, but what that naysayer doesn't realize is that she is missing out on a wonderful, heart enlightening journey of love to rival the ages. And what these protesters are really against is the sex. But if they read the book they would see that the sex is an escalation of love. A meeting of souls, right?
Why do I read romance novels? It's not for the happily ever after or the awkward meeting of two destined souls, but for the middle of the novel. Where attraction is intensely strong and undeniably there. The hero and heroine fight it, deny it, and try to avoid it. Yet, circumstances keep forcing them together. I love the pull and tug of hearts. The yearning for what (they believe) they cannot have or deserve to experience. It is the ultimate kick start to the heart.
Some of my favorite novels? Karen Marie Monings entire Highlander series. Why? KMM creates a world unlike any I've ever read and within this world one man and one woman defy the fates, traverse time and conquer the impossible just to savor one more minute with each other. He is the missing the piece of her and she is the reparation for his damaged soul. I think my favorite is Immortal Highlander where the bad guy (who really isn't so bad) turns good. He is a faery who feels the way humans feel. He is fighting to return to his position beside the queen, all the while he has already found his rightful place in this world, the human realm.
Other novels?
Pride and Prejudice is a classic. I love... love Mr. Darcy.
Kinley MacGregor's Macallister Series- these four brothers are the men of men. They are stubborn, arrogant and tortured souls who need the very thing they don't want. The love of a good woman.
Jude Deveraux's The Duchess- a book I could read over and over again. The heroine is to wed the fair-hared brother, a titled duke, but falls in love with his dark, exotic older brother (the true duke) who had been her childhood hero under another name. Obviously, the older brother has some issues and wants nothing to do with society or his title. She must make a choice, he must come back from the dead and learn to accept her choice. -- Love it!
I read romance for the same reason I write it. It's captivating and refreshing. When I first started writing I never even gave a thought to what genre I would write. I just wrote what I loved. Just when I picked up my first romance novel. I didn't think about what genre I wanted to read, I was just gravitated toward it.
So why do you read romance novels? And if you haven't read one yet, why? What are your favorites or what can't you stand? I'd love to hear your thoughts!
To be honest, I don't think their are many out there with the close minded attitude that romance novels are the gateway to sin anymore. (at least they have quieted down some) Sure, we run across the occasional naysayer, but what that naysayer doesn't realize is that she is missing out on a wonderful, heart enlightening journey of love to rival the ages. And what these protesters are really against is the sex. But if they read the book they would see that the sex is an escalation of love. A meeting of souls, right?
Why do I read romance novels? It's not for the happily ever after or the awkward meeting of two destined souls, but for the middle of the novel. Where attraction is intensely strong and undeniably there. The hero and heroine fight it, deny it, and try to avoid it. Yet, circumstances keep forcing them together. I love the pull and tug of hearts. The yearning for what (they believe) they cannot have or deserve to experience. It is the ultimate kick start to the heart.
Some of my favorite novels? Karen Marie Monings entire Highlander series. Why? KMM creates a world unlike any I've ever read and within this world one man and one woman defy the fates, traverse time and conquer the impossible just to savor one more minute with each other. He is the missing the piece of her and she is the reparation for his damaged soul. I think my favorite is Immortal Highlander where the bad guy (who really isn't so bad) turns good. He is a faery who feels the way humans feel. He is fighting to return to his position beside the queen, all the while he has already found his rightful place in this world, the human realm.
Other novels?
Pride and Prejudice is a classic. I love... love Mr. Darcy.
Kinley MacGregor's Macallister Series- these four brothers are the men of men. They are stubborn, arrogant and tortured souls who need the very thing they don't want. The love of a good woman.
Jude Deveraux's The Duchess- a book I could read over and over again. The heroine is to wed the fair-hared brother, a titled duke, but falls in love with his dark, exotic older brother (the true duke) who had been her childhood hero under another name. Obviously, the older brother has some issues and wants nothing to do with society or his title. She must make a choice, he must come back from the dead and learn to accept her choice. -- Love it!
I read romance for the same reason I write it. It's captivating and refreshing. When I first started writing I never even gave a thought to what genre I would write. I just wrote what I loved. Just when I picked up my first romance novel. I didn't think about what genre I wanted to read, I was just gravitated toward it.
So why do you read romance novels? And if you haven't read one yet, why? What are your favorites or what can't you stand? I'd love to hear your thoughts!
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